CRITICS CHAPTER

'Criticism is the only thing that stands between the audience and advertising.' - Pauline Kael


WHO WE ARE

Dr David Archibald, University Of Glasgow
Film International, Financial Times, Cineaste


Liza Bear,
Bomb Magazine


Dan Bessie
Filmmaker and Culture Critic

Prof. Dennis Broe
Jump Cut, NY Newsday, Boston Phoenix

Dianne Brooks
The Film Files, Writemovies.com

Lisa Collins
Filmmaker

Benjamin Dickenson
Bright Lights Film Journal, UK

David Ehrenstein
Quarterly Review of Film and Video

Miguel Gardel
Proletaria Press


Michael Haas
Culture critic

Laura Hadden
Pacifica Radio

Gerald Horne
University Of Houston

Reynold Humphries
British Film Historian

Sikivu Hutchinson
BlackFemsLens.org, KPFK Radio

Jan Lisa Huttner
TheHotPinkPen.com, Films For Two

Cindy Lucia
Cineaste Magazine

Pat McGilligan
Film Historian

Prairie Miller
WBAI/Pacifica National Radio Network

Logan Nakyanzi
Go Left TV, Huffington Post

Gerald Peary
Boston Phoenix

Steve Presence
Radical Film Network, UK


Louis Proyect
s
Counterpunch, Marxmail.org

Sandy Sanders
BlueJayWay.net

Nancy Schiesari,
BBC, Channel 4,
Univ. of Texas, Austin

Rebecca Schiller
Culture Critic

David Spaner, Hollywood Inc.

Luis Reyes
, Arsenal Pulp Press

Christopher Trumbo
RIP, January 8, 2011

Dave Wagner
Mother Jones, Film International

Linda Z
LFC Film Club

Noah Zweig
Telesur


Paul Robeson With Oakland, Ca. Shipyard Workers, 1942

Black August

So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.

Stay tuned......

The Organizer

Monday, January 16, 2017

ERNESTO: Samurai Who Fought with Che in Bolivia Featured in New Film


  • “The movie tells the genuine, visionary and revolutionary aspects of Freddy," said the Cuban actor playing Che.

    “The movie tells the genuine, visionary and revolutionary aspects of Freddy," said the Cuban actor playing Che. | Photo: "Ernesto"



The movie is now in post-production and will be released later this year, for the 50th anniversary of the death of both guerrillas.

The friendship between samurai Freddy Maymura and Ernesto Che Guevara in Bolivia will be the topic of a film titled, "Ernesto," as a reference not to the Argentine fighter, but the “samurai of the Revolution,” whose nickname was Ernesto.

The Bolivian samurai was the son of a Japanese immigrant who took part in the Ñancahuazu guerrilla war after he met Che in Cuba.

The movie is now in post-production and will be released later this year, for the 50th anniversary of the death of both guerrillas. It was shot in Hiroshima and Tokyo, Japan, as well as in Havana and Naranjal in Cuba at the end of 2016.

Born in Trinidad, Bolivia in 1941, Maymura went to Cuba as part of the first group of Bolivian students to study medicine with a grant offered by the Cuban Revolution in 1962.

Sakamoto explained that he hoped the film will make more visible to the public the fascinating story of Maymura. He discovered the character while investigating Japanese immigration to Bolivia at the end of the 19th century.

The main role was given to Joe Odagiri, who started studying Spanish four months before shooting began, while Juan Valero was cast to play Che's character.

“The movie tells the genuine, visionary and revolutionary aspects of Freddy, which were very similar to that of Che's when he was young,” said Valero, a Cuban actor.

Before Sakamoto, Steven Soderbergh directed a movie focusing on Che's Bolivia's experience in 2008, called "Che."

No comments:

Post a Comment