'Criticism is the only thing that stands between the audience and advertising.' - Pauline Kael

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Paul Robeson With Oakland, Ca. Shipyard Workers, 1942

Black August

So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.

Stay tuned......

The Organizer

Thursday, July 16, 2015

Court: A Conversation With Indian Filmmaker Chaitanya Tamhane


By Liza Bear

'...The film is outstanding in its acute observation of courtroom protocols and procedures, arcane colonial-era laws and judicial peccadilloes that serve to create a theater of the absurd. But the story’s originality surges when it steps outside the courtroom between the sessions, which are constantly adjourned on inane pretexts, to follow the daily lives of the principal players—defense attorney Vinay Vora (Vivek Gomber, who’s also the film’s producer), public prosecutor Nutan (Geetanjali Kulkarni), and Judge Sadavarte (Pradeep Joshi), adding texture and layers of unpredictability to their characters. Their domestic and social routines challenge the conventional affiliations between class and professional role—the cold-hearted public prosecutor, for instance, is from a working class background, while the defense attorney is from the upper echelons of social privilege.'

CONTINUE TO READ THE ARTICLE HERE


Liza Bear produces Cherchez La Femme on Youtube. She also writes for Bomb Magazine. Liza is a member of The James Age Cinema Circle.