'Criticism is the only thing that stands between the audience and advertising.' - Pauline Kael

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Paul Robeson With Oakland, Ca. Shipyard Workers, 1942

Black August

So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.

Stay tuned......

The Organizer

Wednesday, November 9, 2016

I, DANIEL BLAKE: INTERVIEW WITH PAUL LAVERTY, LONGTIME KEN LOACH COLLABORATOR




By Liza Bear

In this piercingly relevant contemporary drama, Laverty's tightly structured script tracks Daniel Blake (Dave Johns), a joiner in his fifties recovering from a heart attack as he confronts implacable bureaucracy when his benefits are inexplicably denied, meanwhile befriending Katie (Hayley Squires), a single mother with two children and her own survival problems. The film is also a richly detailed portrait of community solidarity and resourcefulness.
 

Palme d'Or winner I, Daniel Blake's screenwriter Paul Laverty talks to Liza Bear about his early career, his 20 year collaboration with director Ken Loach and the political background to the film: the UK's austerity-driven Strivers Versus Shirkers campaign that targets the disadvantaged. 
Filmed by Liza Bear at the 54th New York Film Festival.

Liza Bear is a member of the James Agee Cinema Circle
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