'Criticism is the only thing that stands between the audience and advertising.' - Pauline Kael


Dr David Archibald, University Of Glasgow
Film International, Financial Times, Cineaste

Liza Bear,
Bomb Magazine

Dan Bessie
Filmmaker and Culture Critic

Prof. Dennis Broe
Jump Cut, NY Newsday, Boston Phoenix

Dianne Brooks
The Film Files,

Lisa Collins

Benjamin Dickenson
Bright Lights Film Journal, UK

David Ehrenstein
Quarterly Review of Film and Video

Miguel Gardel
Proletaria Press

Michael Haas
Culture critic

Laura Hadden
Pacifica Radio

Gerald Horne
University Of Houston

Reynold Humphries
British Film Historian

Sikivu Hutchinson, KPFK Radio

Jan Lisa Huttner, Films For Two

Cindy Lucia
Cineaste Magazine

Pat McGilligan
Film Historian

Prairie Miller
WBAI/Pacifica National Radio Network

Logan Nakyanzi
Go Left TV, Huffington Post

Gerald Peary
Boston Phoenix

Steve Presence
Radical Film Network, UK

Louis Proyect

Sandy Sanders

Nancy Schiesari,
BBC, Channel 4,
Univ. of Texas, Austin

Rebecca Schiller
Culture Critic

David Spaner, Hollywood Inc.

Luis Reyes
, Arsenal Pulp Press

Christopher Trumbo
RIP, January 8, 2011

Dave Wagner
Mother Jones, Film International

Linda Z
LFC Film Club

Noah Zweig

Paul Robeson With Oakland, Ca. Shipyard Workers, 1942

Black August

So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.

Stay tuned......

The Organizer

Friday, April 19, 2013

Raging Bullsh*t At The Tribeca Film Festival: Letter To Robert De Niro

JACC Film Critic Louis Proyect Sounds Off Against De Niro's Tribeca Film Festival:
                                    'I'm Talkin' To You!'

Hey Bobby,

This morning I went down to the Clearview Chelsea Theater for a 9:30 press screening for a documentary on herring fishermen. I got up early just to make it there on time. My guess is that I probably would be the only person attending.

Anyhow, I stopped at the table in the lobby to check in but was told that I was not in the database. That didn’t surprise me since I never applied for press credentials. As a blogger (but with 650 film reviews on Rotten Tomatoes), I figured that I would not pass muster.

But I had been invited by the film’s publicist to attend the screening. Even though she vouched for me, I was still not admitted. It was a “security issue” they told me, as if I was concealing a pressure cooker bomb. When I told them “Fuck you and fuck the Tribeca Film Festival”, the off-duty cop serving as a security guard got up from his chair with his hand on his gun to tell me to shut up. I said that since there is no law against telling someone to fuck off, he should sit back down.

 If I ever run into you on the street, Bobby, I am going to tell you this to your face. With your fucking connections to Jonathan Tisch and your idiotic red tape and your bourgeois red carpets, you can take your fucking film festival and stick it up your ass.

Yours truly,
Louis Proyect

Louis Proyect is film editor at Counterpunch, and he writes cinema criticism and commentary at and