CRITICS CHAPTER

'Criticism is the only thing that stands between the audience and advertising.' - Pauline Kael


WHO WE ARE



Dr David Archibald, University Of Glasgow
Film International, Financial Times, Cineaste


Steve Ashton,
Filmvision.net

Dan Bessie
Filmmaker and Culture Critic

Prof. Dennis Broe
Jump Cut, NY Newsday, Boston Phoenix

Dianne Brooks
The Film Files, Writemovies.com

Paul Buhle
Brown University

Lisa Collins
Filmmaker

Benjamin Dickenson
Bright Lights Film Journal, UK

David Ehrenstein
Quarterly Review of Film and Video

John Esther
Los Angeles Journal

Miguel Gardel
Proletaria Press

David Spaner

Arsenal Pulp Press

Michael Haas
Culture critic

Laura Hadden
Pacifica Radio

Gerald Horne
University Of Houston

Reynold Humphries
British Film Historian

Sikivu Hutchinson
BlackFemsLens.org, KPFK Radio

Jan Lisa Huttner
TheHotPinkPen.com, Films For Two

Cindy Lucia
Cineaste Magazine

Pat McGilligan
Film Historian

Prairie Miller
WBAI/Pacifica National Radio Network

Logan Nakyanzi
Go Left TV, Huffington Post

Victor Navasky
The Nation

Gerald Peary
Boston Phoenix

Louis Proyect
Counterpunch, Marxmail.org

Luis Reyes
Film historian

Nancy Keefe Rhodes
NPR Radio WAER-FM,
Syracuse City Eagle

Nancy Schiesari,
BBC, Channel 4,
Univ. of Texas, Austin

Rebecca Schiller
Culture Critic

Michael Slate
Beneath The Surface, KPFK Radio

Christopher Trumbo
RIP, January 8, 2011

Dave Wagner
Mother Jones, Film International

Linda Z
LFC Film Club

Noah Zweig
Telesur


Paul Robeson With Oakland, Ca. Shipyard Workers, 1942

Black August

So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.

Stay tuned......

The Organizer

Tuesday, January 3, 2012

Pariah Vs. Precious: Authentic Tale Vs. Poverty Porn

Courtesy of Noah Zwieg




'...A movie about a Black teenage girl struggling with her identity, who suffers verbal abuse from her mother and struggles to fit in with her peers, is currently getting a strong Oscar buzz. No, the movie is not “Precious 2” it is “Pariah,” the story of a teenage lesbian coming to grips with her identity. Fortunately, “Pariah” differs with “Precious” in several key ways, making this offering a markedly better standout.'


READ NEWSONE FOR BLACK AMERICA ARTICLE HERE

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