CRITICS CHAPTER

'Criticism is the only thing that stands between the audience and advertising.' - Pauline Kael


WHO WE ARE


Dr David Archibald, University Of Glasgow
Film International, Financial Times, Cineaste


Steve Ashton,
Filmvision.net


Dan Bessie

Filmmaker and Culture Critic

Prof. Dennis Broe

Jump Cut, NY Newsday, Boston Phoenix

Dianne Brooks

The Film Files, Writemovies.com

Paul Buhle
Brown University

Lisa Collins
Filmmaker

Benjamin Dickenson
Bright Lights Film Journal, UK

David Ehrenstein
Quarterly Review of Film and Video

John Esther
Los Angeles Journal

Miguel Gardel
Proletaria Press

Michael Haas
Culture critic

Laura Hadden
Pacifica Radio

Gerald Horne
University Of Houston

Reynold Humphries
British Film Historian

Sikivu Hutchinson
BlackFemsLens.org, KPFK Radio

Jan Lisa Huttner
TheHotPinkPen.com, Films For Two

Cindy Lucia
Cineaste Magazine

Pat McGilligan
Film Historian

Bill Meyer
People's Weekly World

Prairie Miller
WBAI/Pacifica National Radio Network

Logan Nakyanzi
Go Left TV, Huffington Post

Victor Navasky
The Nation

Gerald Peary
Boston Phoenix

Louis Proyect
Counterpunch, Marxmail.org

Ed Rampell
Los Angeles Journal

Luis Reyes
Film historian

Nancy Keefe Rhodes
NPR Radio WAER-FM,
Syracuse City Eagle

Nancy Schiesari,
BBC, Channel 4,
Univ. of Texas, Austin

Rebecca Schiller
Culture Critic

Michael Slate
Beneath The Surface, KPFK Radio

Christopher Trumbo
RIP, January 8, 2011

Dave Wagner
Mother Jones, Film International

Linda Z
LFC Film Club

Noah Zweig
UC, Santa Barbara
Film and Media Studies

Paul Robeson With Oakland, Ca. Shipyard Workers, 1942

Black August

So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.

Stay tuned......

The Organizer

Saturday, April 23, 2011

Atlas Shrugged: Who Is Dagney Taggart, And Why Does She Hate The Workingclass?


...Atlas Shrugged taunts the status quo with a combo Greed Is Fabulous mantra, laced with topsy turvy Marxism extolling robber barons in mass rebellion. And with a right wing feminazi head honcho presiding over a railroad empire, who nevertheless dresses like she just exited modeling school. But in the end, Ayn Rand's Atlas Shrugged seems to be serving up nothing more than lots of hokey capitalist wishful thinking, disclaimer free zone super-wealthy diatribes, and pretentious political yakety yak...

READ ATLAS SHRUGGED MOVIE REVIEW HERE



...The rich man’s “strike” portrayed in the film would be a blessing for working people today. If, like the “great men” in the film, today’s rich of the world walked away from their banks, factories, mines and oil wells, for whatever reason, this would be no problem for the working class. We pump the oil, work the cash registers, do the hours in the plants, cook the food, invent things, create works of art, design computer programs, build buildings and do all else that produces society’s wealth.

We could easily own and operate society without the leeches at the top because they contribute nothing, merely owning what is collectively produced. Our message to all billionaires who would rally behind Rand’s fictional John Galt and give up their supposed greatness in protest is, “Good riddance!”

We simply don’t need the rich...

CONTINUE TO READ REVIEW HERE

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