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JAMES AGEE CINEMA CIRCLE

'Criticism is the only thing that stands between the audience and advertising.' - Pauline Kael

Paul Robeson With Oakland, Ca. Shipyard Workers, 1942

Black August

So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.

Stay tuned......

The Organizer

Saturday, June 24, 2017

Working Stiff Revolt

Posted by Solidaridad Press at 7:53 PM

1 comment:

Ольга БобоедоваOctober 22, 2017 at 7:52 AM
Hello everyone. My name is Olga and I'm from Russia
At the moment I'm in the process of writing my master's thesis on the use of blogs in education.
Could you help me a little? Just answer the question here in the comments. Who do you consider the most handsome/beautiful actor/actress and the best director of all time?
It can be one person or several people. I will be very grateful for your help.
Beams of goodness all around, as we say in Russia.
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ProgressiveCritics@gmail.com

Radical Film Network UK, a sister organization

James Agee Cinema Circle UK

HOME OF THE ANTI-OSCARS

The James Agee Cinema Circle is an association of national and international critics, historians and film scholars who are involved in print, radio, online and TV broadcast media and analysis.

We have come together to form the first progressive critics organization, in the belief that idealistic perspectives, voices and diverse ideological visions in film criticism that speak with social conviction and consciousness, are sorely lacking as a public platform. We will be recognizing films embodying those humanistic ideals with our annual awards.

There are so many reasons for liking or hating a movie. One big mental roadblock is being knocked out by the performances, dramatic style or cinematography, but evaluating the story as a stinker. And the typical entertainment journalist and those for sale to the commercial media corporations, will argue that if a movie is well made, it doesn't matter if the content is reactionary, degrades, or dehumanizes, or even if it is disseminating untruths about real political and historical events.

But as JACC member Louis Proyect has so succinctly pointed out, why go to such lengths to lie, when you can just simply tell the truth. And that 'why' will be one of our many probing hot topics on the table.