CRITICS CHAPTER

'Criticism is the only thing that stands between the audience and advertising.' - Pauline Kael


WHO WE ARE

Dr David Archibald, University Of Glasgow
Film International, Financial Times, Cineaste


Liza Bear,
Bomb Magazine


Dan Bessie
Filmmaker and Culture Critic

Prof. Dennis Broe
Jump Cut, NY Newsday, Boston Phoenix

Dianne Brooks
The Film Files, Writemovies.com

Lisa Collins
Filmmaker

Benjamin Dickenson
Bright Lights Film Journal, UK

David Ehrenstein
Quarterly Review of Film and Video

Miguel Gardel
Proletaria Press


Michael Haas
Culture critic

Laura Hadden
Pacifica Radio

Gerald Horne
University Of Houston

Reynold Humphries
British Film Historian

Sikivu Hutchinson
BlackFemsLens.org, KPFK Radio

Jan Lisa Huttner
TheHotPinkPen.com, Films For Two

Cindy Lucia
Cineaste Magazine

Pat McGilligan
Film Historian

Prairie Miller
WBAI/Pacifica National Radio Network

Logan Nakyanzi
Go Left TV, Huffington Post

Gerald Peary
Boston Phoenix

Steve Presence
Radical Film Network, UK


Louis Proyect
s
Counterpunch, Marxmail.org

Sandy Sanders
BlueJayWay.net

Nancy Schiesari,
BBC, Channel 4,
Univ. of Texas, Austin

Rebecca Schiller
Culture Critic

David Spaner, Hollywood Inc.

Luis Reyes
, Arsenal Pulp Press

Christopher Trumbo
RIP, January 8, 2011

Dave Wagner
Mother Jones, Film International

Linda Z
LFC Film Club

Noah Zweig
Telesur


Paul Robeson With Oakland, Ca. Shipyard Workers, 1942

Black August

So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.

Stay tuned......

The Organizer

Monday, December 13, 2010

Johnny Depp: Tonto Si, Pancho Villa No?


Johnny Depp has been approached to play the legendary Mexican hero Pancho Villa but the RANGO star has second thoughts on playing the famous revolutionary.

Online sites reported that Serbian director Emir Kusturica is helming a movie on the Mexican Robin Hood with Johnny Depp taking on the role and Salma Hayek co-starring. However, during a press conference for his animated film RANGO on Saturday, Johnny Depp revealed the project "is up in the air," for him as he is facing a "dilemma" in playing one of the "great heroes of Mexico". While he admires his friend and filmmaker Kusturica, he feels he is not the right choice to play the leader of the 1910 Mexican revolution. "I feel like it should be played by a Mexican not some mug from Kentucky. I feel very strongly about that."

CONTINUE READING CINEMOVIE ARTICLE HERE



On The Other Hand....

Johnny Depp rides Into The Unknown As Tonto In Remake Of The Lone Ranger

...There is also potential controversy in the role of Tonto itself. The original character, with his pidgin English, has long been seen by many Native Americans as an insult. Later versions of the character – in comic strips and the 1981 film Legend of the Lone Ranger – gave Tonto more depth, making him an equal partner of the Lone Ranger. However, it still might irritate some that Tonto will be played by a white actor, mirroring the controversial practice of many early films that put Native Americans characters on screen but did not use Native American actors to play them....

CONTINUE TO READ ARTICLE HERE

Noah Zweig
JACC News Desk


"It is a sad and beautiful world." -Roberto Benigni
"Yeah, it's a sad and beautiful world, buddy." Tom Waits, Down By Law (Jarmusch,1986)

Noah is working on a dissertation tentatively entitled The Cultural and Media Politics of the Bolivarian Revolution. The project analyzes state-backed film and TV productions in Venezuela under the government of Hugo Chávez. He has an essay, "Foregrounding Public Cinema and Rural Audiences: the USDA Motion Picture Service as Cinematic Modernism, 1908-1938," in the forthcoming (fall 2009) issue of The Journal of Popular Film and Television. His interests include Latin American national cinemas, critical globalization studies, and critical cultural policy studies. Noah received a BA in Literature from UC Santa Cruz and an MA in Moving Image Archive Studies from UCLA. In addition to academic work, he has served as an AmeriCorps VISTA member in East Los Angeles.

No comments:

Post a Comment