'Criticism is the only thing that stands between the audience and advertising.' - Pauline Kael


Dr David Archibald, University Of Glasgow
Film International, Financial Times, Cineaste

Liza Bear,
Bomb Magazine

Dan Bessie
Filmmaker and Culture Critic

Prof. Dennis Broe
Jump Cut, NY Newsday, Boston Phoenix

Dianne Brooks
The Film Files,

Lisa Collins

Benjamin Dickenson
Bright Lights Film Journal, UK

David Ehrenstein
Quarterly Review of Film and Video

Miguel Gardel
Proletaria Press

Michael Haas
Culture critic

Laura Hadden
Pacifica Radio

Gerald Horne
University Of Houston

Reynold Humphries
British Film Historian

Sikivu Hutchinson, KPFK Radio

Jan Lisa Huttner, Films For Two

Cindy Lucia
Cineaste Magazine

Pat McGilligan
Film Historian

Prairie Miller
WBAI/Pacifica National Radio Network

Logan Nakyanzi
Go Left TV, Huffington Post

Gerald Peary
Boston Phoenix

Steve Presence
Radical Film Network, UK

Louis Proyect

Sandy Sanders

Nancy Schiesari,
BBC, Channel 4,
Univ. of Texas, Austin

Rebecca Schiller
Culture Critic

David Spaner, Hollywood Inc.

Luis Reyes
, Arsenal Pulp Press

Christopher Trumbo
RIP, January 8, 2011

Dave Wagner
Mother Jones, Film International

Linda Z
LFC Film Club

Noah Zweig

Paul Robeson With Oakland, Ca. Shipyard Workers, 1942

Black August

So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.

Stay tuned......

The Organizer

Monday, February 2, 2009

JACC Member Lisa Collins Screens Film At Oscar Micheaux Event In NYC

The Columbia University School of the Arts Film Program, The Film Society of Lincoln Center, and University Seminars on Cinema and Interdisciplinary Interpretation at Columbia University are presenting a landmark film event, Faded Glory: Oscar Micheaux And The Pre-War Black Independent Cinema. The series takes place February 6th and 7th, and conferences are free and open to the public.

This unique presentation will focus on the work by the influential African-American filmmaker, Oscar Micheaux. Newly discovered prints and materials will be shown and discussed for the the first time ever by speakers at this conference. The Film Society at Lincoln Center will screen Micheaux's movies in conjunction with the conference.

A special event will be the presentation by Lisa Collins of her work-in-progress film short, Oscar's Comeback, on Friday February 6th at 3:45pm at Columbia's Schermerhorn Hall, Room 501. It's a sly, complex non-fiction feature set in rural South Dakota about a small, all-white town celebrating its most famous ‘native’ son - black, controversial early 1900s film pioneer Oscar Micheaux. Lisa is a member of The Women Film Critics Circle and the James Agee Cinema Circle, and she produced this film in collaboration with Mark Schwartzburt. A more extensive bio of Lisa Collins is below.

Lisa and Mark (center) shooting on location in Gregory, South Dakota

Professors and film critics and scholars from Columbia University, Yale University, University of Puerto Rico, University of North Carolina-Chapel Hill, Emory University, Duke University, CUNY Graduate Center, Brooklyn College, Northwestern and more, will appear.

It has been more than fifteen years since the last conference on Micheaux's work, and a new generation of critical thinking and writing has since emerged. The full daytime conferences and evening screening schedule, and a full list of presenters, can be viewed at

Tickets for the screenings are available through the Film Society of Lincoln Center. The venues are: Columbia University Campus, Broadway and 116th Street, Schermerhorn Hall Room 501, and Saturday, February 7th, at The Film Society, 70 Lincoln Center Plaza. For all public inquiries, please contact

* Brooklyn-native, Lisa Collins earned her MFA in Screenwriting & Directing from Columbia University Film School, with a BA from Yale University in American Studies & Photography. She’s developing several feature projects and a TV pilot.

An all-round media-maker, Lisa is Sr. Editor/Sr. Segment Producer for and TV. Lisa wrote, directed and has produced two shorts: Miss Ruby's House, a mockumentary, which played in festivals across the country; and Tree Shade, a surreal black comedy that garnered the Gold Medal for Best Alternative Film at the Student Academy Awards from the Academy of Motion Picture Arts & Sciences. Top honors include: a DGA East Coast Filmmaker award, Best American short at Avignon’s Film Festival, Polo Ralph Lauren Award, and two Rockefeller Foundation nominations. When broadcast, her film headlined PBS’s “Reel New York” series.

With a sharp eye for filmmaking, Lisa has been invited to speak at universities, museums and on panels about her film work; as well she’s been asked to serve on various film juries for festivals and grant fellowships. She also served as a teaching assistant at Columbia University, and has mentored other students. Lisa is a member of the James Agee Cinema Circle and the Women Film Critics Circle.

Lisa Collins was named by Filmmaker Magazine: 'One of the 25 New Faces of Independent Film.' She was invited to workshop her feature-length script, The Grass Is Greener at the Sundance Writers, Filmmakers and Producers Labs, respectively. The project was also invited to participate in the IFFM / IFP’s No Borders Feature Project program.

Currently, Lisa is in post-production with Oscar’s Comeback. She is director/producer on the film with co-director/producer Mark Schwartzburt for Right on Time Productions. So far, the film-in-progress was awarded a prestigious NYSCA grant and two South Dakota Humanities Council grants, with Women Make Movies as its fiscal sponsor. In April 2007, the documentary’s 'presentation trailer' was invited to screen as part of a special program, Creatively Speaking, at BAM. In spring 2008 at Tribeca All Access Awards, Oscar’s Comeback won 2nd Top Prize for Creative Promise (Honorable Mention). Shortly thereafter, it was invited to screen at the Studio Museum in Harlem.

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