CRITICS CHAPTER

'Criticism is the only thing that stands between the audience and advertising.' - Pauline Kael


WHO WE ARE

Dr David Archibald, University Of Glasgow
Film International, Financial Times, Cineaste


Liza Bear,
Bomb Magazine


Dan Bessie
Filmmaker and Culture Critic

Prof. Dennis Broe
Jump Cut, NY Newsday, Boston Phoenix

Dianne Brooks
The Film Files, Writemovies.com

Lisa Collins
Filmmaker

Benjamin Dickenson
Bright Lights Film Journal, UK

David Ehrenstein
Quarterly Review of Film and Video

Miguel Gardel
Proletaria Press


Michael Haas
Culture critic

Laura Hadden
Pacifica Radio

Gerald Horne
University Of Houston

Reynold Humphries
British Film Historian

Sikivu Hutchinson
BlackFemsLens.org, KPFK Radio

Jan Lisa Huttner
TheHotPinkPen.com, Films For Two

Cindy Lucia
Cineaste Magazine

Pat McGilligan
Film Historian

Prairie Miller
WBAI/Pacifica National Radio Network

Logan Nakyanzi
Go Left TV, Huffington Post

Gerald Peary
Boston Phoenix

Steve Presence
Radical Film Network, UK


Louis Proyect
s
Counterpunch, Marxmail.org

Sandy Sanders
BlueJayWay.net

Nancy Schiesari,
BBC, Channel 4,
Univ. of Texas, Austin

Rebecca Schiller
Culture Critic

David Spaner, Hollywood Inc.

Luis Reyes
, Arsenal Pulp Press

Christopher Trumbo
RIP, January 8, 2011

Dave Wagner
Mother Jones, Film International

Linda Z
LFC Film Club

Noah Zweig
Telesur


Paul Robeson With Oakland, Ca. Shipyard Workers, 1942

Black August

So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.

Stay tuned......

The Organizer

Wednesday, August 3, 2016

Bro on the Euro Cultural Beat: View from Afar


Games of Thrones, Season 7, The Acclamation
Shoring up the Wall to Protect Westeros,
Poisoning the Challenger so the Queen can Reign

I was not able to attend the coronation of Queen Hillary the First of the Royal House of Clinton at King’s Landing this week nor the usurpation in the midlands of the Bush Line by the bastard Trump the previous week but I was able to read some of the reports sent by the ravens and here are my comments on 2016’s Game of Thrones.  

Above ground the Republicans pledged allegiance to god, country and morality but the unconscious of a repressed party was on display as even while they praised righteousness from the podium, in their psychoanalytic basement right wing demagogue Roger Ailes was canned from the party network Fox for multiple complaints of sexual harassment. Also on display were Trump’s blatant corruption; it’s flashy, gaudy and on the surface (he’s so scared of being found out he will not show his tax returns) and contrasts with Clinton’s slightly more subtle concealed corruption. Trump’s incompetence was also front and center in his overture to his Ohio rival John Kasich to be the most powerful vice president in history (next to Dick Cheney?) in charge of foreign and domestic affairs so the Donald could spend his time “making American great.” But the Republican convention was democratic as was the nominating process, the financial elite and the party leaders were absent, and like him or not Trump was the candidate of the people while the democratic convention was nothing but a carefully orchestrated as Mumia Abu-Jamal described it ‘show’.

LISTEN TO THE SHOW HERE

The Clinton campaign and the DNC had utterly sabotaged the primary process and when that was revealed on the opening day of the convention in the leaked DNC memos, Clinton acknowledged the meddling by quickly appointing dethroned DNC chair Debbie Wasserman to her campaign. We saw a clear indication of how a Clinton presidency will work when, instead of confronting this utterly undemocratic chicanery, which may have contributed to stealing the nomination, the Clinton campaign diverted attention away from the revelations by blaming the leaks on the Russians (though WikiLeaks Julien Assange who would not reveal his sources suggested that was highly unlikely). Meanwhile a poll revealed Clinton trailing Trump, but now the Democrats, instead of fielding Bernie Sanders who not only trumped Trump in every poll but also would have engaged him in a spirited debate for the heart and soul of the American working class, are now saddled with a candidate whose major claim to fame is that she ran an efficient State Department bureaucracy while of course bombing Libya back to the stone age, abetting a coup in Honduras, and backing the dictator Mubarak in Egypt against the democratizers of the Arab Spring.

The democratic show was all about restoring Clinton’s liberal caring credentials but given her record as an ultimate corporate shill, backing NAFTA, the very dangerous TPP which despite wide opposition at the convention she will likely still promote, and her stunning reception at this point of almost all corporate campaign funding, 43 million to Trumps 1 million, she is at best a Kissinger-esque center-right neoliberal which makes this a race between the Right and Far Right. And the majority of Americans are disgusted with what the two-party oligarchy has produced, with each candidate’s disapproval rate at 58%.

The larger issue here is that there is a point where a neoliberal and a neofascist agenda converge and we are close to that point. When the world economy stops growing and the promises of globalization fade, corporate interests become more and more naked and inequality accelerates, now having regressed, as Thomas Piketty explains, to levels similar to the pre-World War I colonial era. Law and order then becomes the order of the day. But equally important, and this is the point of the ‘show’ in this election, is that those white workers feeling the pain of deindustrialization and globalization in the heartland and minority workers in the cities, enlisted by the Democrats as part of the neoliberal order but not benefitting from it (how wonderful is life in Black America under Obama?), never unite because if they did they would be the most powerful force against Clinton’s neoliberalism and Trump’s neofascism. And so the two camps see each other as diametrically opposed, offering really nothing except they are not the other and the other is unthinkable. But what is really unthinkable—that is, to the oligarchy-- is healing this centuries old rift--the replacement of racism by class solidarity. As the apparent differences between the candidates supposedly grow greater, the actual pain and suffering of their core constituencies, concealed by the personality quirks of these two buffoons, increases and will worsen under either after the election; quickly under the proto-fascist Trump, more slowly but more methodically under the corporate neoliberal bureaucrat Clinton.

Dennis Broe lives in Paris. He is a cultural and political correspondent for Arts Express on the Pacifica Network, a professor of film and television at the Sorbonne, and the author of Class, Crime and International Film Noir: Globalizing America’s Dark Art from Macmillan and Maverick or How the West Was Lost, an entry in the TV Milestones Series. 

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