WHO WE ARE
Dr David Archibald, University Of Glasgow
Film International, Financial Times, Cineaste
Steve Ashton,
Filmvision.net
Dan Bessie
Filmmaker and Culture Critic
Prof. Dennis Broe
Jump Cut, NY Newsday, Boston Phoenix
Dianne Brooks
The Film Files, Writemovies.com
Paul Buhle
Brown University
Lisa Collins
Filmmaker
Benjamin Dickenson
Bright Lights Film Journal, UK
David Ehrenstein
Quarterly Review of Film and Video
John Esther
Los Angeles Journal
Miguel Gardel
Proletaria Press
Michael Haas
Culture critic
Laura Hadden
Pacifica Radio
Gerald Horne
University Of Houston
Reynold Humphries
British Film Historian
Sikivu Hutchinson
BlackFemsLens.org, KPFK Radio
Jan Lisa Huttner
TheHotPinkPen.com, Films For Two
Cindy Lucia
Cineaste Magazine
Pat McGilligan
Film Historian
Bill Meyer
People's Weekly World
Prairie Miller
WBAI/Pacifica National Radio Network
Logan Nakyanzi
Go Left TV, Huffington Post
Victor Navasky
The Nation
Gerald Peary
Boston Phoenix
Louis Proyect
Counterpunch, Marxmail.org
Ed Rampell
Los Angeles Journal
Luis Reyes
Film historian
Nancy Keefe Rhodes
NPR Radio WAER-FM,
NPR Radio WAER-FM,
Syracuse City Eagle
Nancy Schiesari,
BBC, Channel 4,
Univ. of Texas, Austin
Rebecca Schiller
Culture Critic
Culture Critic
Michael Slate
Beneath The Surface, KPFK Radio
Christopher Trumbo
RIP, January 8, 2011
Dave Wagner
Mother Jones, Film International
Linda Z
LFC Film Club
Noah Zweig
UC, Santa Barbara
Christopher Trumbo
RIP, January 8, 2011
Dave Wagner
Mother Jones, Film International
Linda Z
LFC Film Club
Noah Zweig
UC, Santa Barbara
Film and Media Studies
So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.
Stay tuned......
Sunday, May 13, 2012
Arts Express: Koch Brothers Exposed
**The Koch Brothers Exposed: A conversation with eminent activist filmmaker Robert Greenwald about his investigative documentary addressing the enigma: Who exactly are the reactionary billionaire brothers, where did they come from, what do they have to gain and what can be done to stop them. And, what is the Koch connection to the Tea Party, climate change, the Keystone pipeline, the John Birch Society, Stalin, think tanks, front groups and buying democracy. Also, new strategies for raising mass consciousness through movies. And finally, does all this make Robert Greenwald a Koch-head?
LISTEN TO THE SHOW HERE
**Occupy Nation: The Roots, The Spirit And The Promise Of Occupy Wall Street. Gitlin gets it. Veteran social historian and movement chronicler Todd Gitlin phones in to Arts Express to talk about his latest book tracing the trailblazing movement, from its origins to its unconventional potential as a force for social change. And sheds light on the challenges of making the political personal, what constitutes hope, and exiting inertia. As he probes OWS growing pains, rituals, obsessions, inner tensions and commitment to economic justice. And how when he first felt the intensity and scale of the movement, he knew it was for real.
**Best Of The Net Hotspot: Mama Hope. Taking a look at African men and Hollywood stereotypes.
Stay tuned for continuing features of Arts Express: Expression In The Arts. Airing On WBAI Radio's Pacifica Network and Affiliate Stations. And if you'd like to Express yourself too, you can write to: ArtsExpressradio@gmail.com
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