WHO WE ARE
Stephen Ashton
Filmvision.net
Dan Bessie
Filmmaker and Culture Critic
Paul Buhle
Brown University
Lisa Collins
Hollywood.com, Filmmaker
Benjamin Dickenson
Bright Lights Film Journal, UK
David Ehrenstein
Quarterly Review of Film and Video
John Esther
Los Angeles Journal
Michael Haas
Culture critic
Gerald Horne
University Of Houston
Reynold Humphries
British Film Historian
Sikivu Hutchinson
BlackFemsLens.org, KPFK Radio
Jan Lisa Huttner
TheHotPinkPen.com, Films For Two
Bill Krohn
Filmmaker
Cindy Lucia
Cineaste Magazine
Pat McGilligan
Film Historian
Bill Meyer
People's Weekly World
Prairie Miller
WBAI Radio
Logan Nakyanzi
Air America Radio, Go Left TV,
Huffington Post
James Naremore
Professor of Film Studies.
Indiana University
Victor Navasky
The Nation
Gerald Peary
Boston Phoenix
Richard Porton
Cineaste Magazine
Louis Proyect
Marxmail.org
Ed Rampell
Los Angeles Journal
Luis Reyes
Film historian
Jonathan Rosenbaum
Chicago Reader On Film,
JonathanRosenbaum.com
Rebecca Schiller
Culture Critic
Jack Shaheen
University of Southern Illinois
Filmmaker and Culture Critic
Michael Slate
Beneath The Surface, KPFK Radio
Christopher Trumbo
Filmmaker
Dave Wagner
Mother Jones, Film International
Linda Z
Critical Women
Noah Zweig
UC, Santa Barbara
Film and Media Studies
So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.
Details about our upcoming PFCC Awards will appear shortly. Stay tuned.
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