WHO WE ARE

Stephen Ashton
Filmvision.net

Dan Bessie
Filmmaker and Culture Critic

Paul Buhle
Brown University

Lisa Collins
Hollywood.com, Filmmaker

Benjamin Dickenson
Bright Lights Film Journal, UK

David Ehrenstein
Quarterly Review of Film and Video

John Esther
Los Angeles Journal

Michael Haas
Culture critic

Gerald Horne

University Of Houston

Reynold Humphries
British Film Historian

Sikivu Hutchinson
BlackFemsLens.org, KPFK Radio

Jan Lisa Huttner
TheHotPinkPen.com, Films For Two

Bill Krohn
Filmmaker

Cindy Lucia
Cineaste Magazine

Pat McGilligan
Film Historian

Bill Meyer

People's Weekly World

Prairie Miller
WBAI Radio

Logan Nakyanzi
Air America Radio, Go Left TV,
Huffington Post


James Naremore
Professor of Film Studies.
Indiana University

Victor Navasky
The Nation

Gerald Peary
Boston Phoenix

Richard Porton
Cineaste Magazine

Louis Proyect
Marxmail.org

Ed Rampell
Los Angeles Journal

Luis Reyes
Film historian

Jonathan Rosenbaum
Chicago Reader On Film,
JonathanRosenbaum.com


Rebecca Schiller
Culture Critic

Jack Shaheen
University of Southern Illinois
Filmmaker and Culture Critic

Michael Slate
Beneath The Surface, KPFK Radio

Christopher Trumbo
Filmmaker

Dave Wagner
Mother Jones, Film International

Linda Z
Critical Women

Noah Zweig
UC, Santa Barbara
Film and Media Studies




Paul Robeson With Oakland, Ca. Shipyard Workers, 1942

Black August

So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.

Details about our upcoming PFCC Awards will appear shortly. Stay tuned.

The Organizer

Tuesday, January 20, 2009

Bill Meyer Debriefing On The *Anti-Oscars*: The 2008 Progie Nominations

PROFIT MOTIVE AND THE WHISPERING WIND:

Buried History Of US Labor Struggles
Hidden In Plain Sight


The newly formed James Agee Cinema Circle has announced this year’s nominations for the Progie Awards honoring the best in progressive cinema. The group is named after the noted playwright, author and longtime writer for The Nation, James Agee, and is charged with advancing the awareness of progressive cinema. Members include such names as Ed Rampell (Progressive Hollywood), Prairie Miller (WBAI Radio), Gerald Horne (Houston University), Victor Navasky (The Nation), Paul Buhle (Brown University) and many other noted writers. Hidden In Plain Sight


Rampell premiered the Progies in an article that first appeared last year in The Progressive magazine. This year’s nominees, submitted by the members of the James Agee Cinema Circle, were announced by Rampell on the Thom Hartmann radio show.

The 20 categories are named after prominent names in the film world. Awards include Best Progressive Film, named after Dalton Trumbo, noted victim of the Hollywood blacklist; Best Progressive Activist named after Marlon Brando; Sergei award (after the great Soviet director Eisenstein) for Best Lifetime Achievement; Renoir (after Jean Renoir) for the best anti-war Film; and several other appropriately named awards.




LUDLOW MASSACRE MONUMENT
From Profit Motive And The Whispering Wind
*OUR DAILY BREAD AWARD* Nominee


Some of the films nominated for progressive awards this year include “Milk,” “Che,” “The Visitor,” “Waltz With Bashir,” “Battle In Seattle” and “Wendy and Lucy” for Best Picture. The nominees recognize artistry and commitment to progressive ideas in the film industry. Phil Donahue’s “Body of War,” the Katrina documentary “Trouble the Water,” and popular films such as “Gran Torino,” “The Changeling,” “Frost/Nixon,” “War, Inc.,” and “Wall-E” all received nods from the progressive writers.

Winners will be announced on the Hartmann show one week before the Feb. 22 Academy Awards.

CLICK HERE TO READ ARTICLE

Bill Meyer writes about progressive cinema for the People’s Weekly World and is a member of the James Agee Cinema Circle.

0 comments: