CRITICS CHAPTER

'Criticism is the only thing that stands between the audience and advertising.' - Pauline Kael


WHO WE ARE



Dr David Archibald, University Of Glasgow
Film International, Financial Times, Cineaste


Steve Ashton,
Filmvision.net

Dan Bessie
Filmmaker and Culture Critic

Prof. Dennis Broe
Jump Cut, NY Newsday, Boston Phoenix

Dianne Brooks
The Film Files, Writemovies.com

Paul Buhle
Brown University

Lisa Collins
Filmmaker

Benjamin Dickenson
Bright Lights Film Journal, UK

David Ehrenstein
Quarterly Review of Film and Video

John Esther
Los Angeles Journal

Miguel Gardel
Proletaria Press

David Spaner

Arsenal Pulp Press

Michael Haas
Culture critic

Laura Hadden
Pacifica Radio

Gerald Horne
University Of Houston

Reynold Humphries
British Film Historian

Sikivu Hutchinson
BlackFemsLens.org, KPFK Radio

Jan Lisa Huttner
TheHotPinkPen.com, Films For Two

Cindy Lucia
Cineaste Magazine

Pat McGilligan
Film Historian

Prairie Miller
WBAI/Pacifica National Radio Network

Logan Nakyanzi
Go Left TV, Huffington Post

Victor Navasky
The Nation

Gerald Peary
Boston Phoenix

Louis Proyect
Counterpunch, Marxmail.org

Luis Reyes
Film historian

Nancy Keefe Rhodes
NPR Radio WAER-FM,
Syracuse City Eagle

Nancy Schiesari,
BBC, Channel 4,
Univ. of Texas, Austin

Rebecca Schiller
Culture Critic

Michael Slate
Beneath The Surface, KPFK Radio

Christopher Trumbo
RIP, January 8, 2011

Dave Wagner
Mother Jones, Film International

Linda Z
LFC Film Club

Noah Zweig
Telesur


Paul Robeson With Oakland, Ca. Shipyard Workers, 1942

Black August

So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.

Stay tuned......

The Organizer

Thursday, December 25, 2008

Speak Of Me As I Am: Old Man Robeson Keeps Rolling Along




Written By: Ed Rampell http://www.losangelesjournal.com/new/articles-view-17-728
2008 has been a year of progressive biopics, bringing Che Guevara, Harvey Milk and Richard Nixon back to life on the screen (lauding the first two, reviling the latter). Add to this distinguished company Speak Of Me As I Am, a leftist bio-play starring the stirring K.B. Solomon in an inspiring one-man show about Paul Robeson that is perfect for the holiday season. The son of a slave, Robeson was a Renaissance Man, an all-star athlete at Rutgers who earned a law degree and went on to become an actor (his most famous role was as a character of the Renaissance, Othello, from whom the play’s title is taken), singer and probably most importantly, a pro-Communist Black militant who stood up to “whitey,” be he a Southern racist or German fascist.

The first act of Speak Of Me As I Am tells much of Robeson’s story through film clips, songs performed live accompanied by a pianist and cellist and most of all by Solomon’s commanding presence. We see how Robeson went from all-American to “un-American,” the star of stage, screen and concert hall’s annual salary of $100,000 reduced to $2,000 per year when he was blacklisted during the HUAC-McCarthy era. Accused of being a Communist, Robeson was denied the right to perform at home, and his passport was seized by the State Department, preventing the internationally acclaimed celebrity from accepting the numerous gigs he was offered abroad. Although the play doesn’t mention it, one of Robeson’s greatest “crimes” was declaring during the Cold War that African-Americans wouldn’t fight for the USA against the Soviet Union, about 20 years before another Black activist, Muhammad Ali, refused to serve in Vietnam because no Viet Cong had ever called him the N-word.

Robeson died in the 1970s, and for today’s generation, the closest they’ll come to “meeting” this extraordinary man is through this show written and produced by Solomon and Krys Howard. Solomon’s performance is a marvel not to be missed. The towering basso profundo opera singer has the icon’s stature, mannerisms and smile down, and his mellifluous voice is a delight that sometimes had the audience singing along to numbers such as I Dreamed I Saw Joe Hill Last Night. Deftly cutting from the spoken to the sung word to tell Robeson’s saga, Solomon’s renditions of classics like Porgy’s Plenty of Nothing, The House I Live In, Danny Boy and but of course, Robeson’s signature tune, Old Man River, shall have you tapping your tootsies and perhaps tearing up, as your inner self is transported heavenward. It’s almost as if this life force, who tirelessly stood up for the “little people” against injustice, has come back to life.

Indeed, this is the premise of Speak Of Me As I Am – Robeson returns from heaven (where Solomon wittily observes he can’t find J. Edgar Hoover or Joe McCarthy) to tell his story. In particular, Robeson seeks to redeem himself against charges that he was unpatriotic, insisting that he was a real American in the revolutionary tradition of 1776, fighting for truth, justice and the democratic way. The play glosses over Robeson’s relationship with the Communist Party and Soviet Union, which he was accused of being a stooge of. Indeed, during a visit to the USSR Robeson did confront the Stalinists over the imprisonment of an artist or intellectual, whom I believe was Jewish.

This incident is powerful ammunition against those who denigrate Robeson as a Stalin apologist, and could be incorporated into act II. In this much shorter second act, which seems to be a work in progress, the modern day Robeson comments on today’s recession and the election of America’s first Black president.

I called Speak Of Me As I Am a one-man show, but in fact the play makes clever use of an enchained Black mannequin onstage, so that at times it almost feels like a cast of two. Photos of famous radicals and infamous reactionaries, from Thomas Jefferson, Frederick Douglas and John Brown to Hoover, McCarthy and Harry Truman, also decorate the set and are also put to good use.

Speak Of Me As I Am joins the illustrious company of Che, Milk and Frost/Nixon, as well as the play Marx in Soho by the people’s historian, Howard Zinn, as a work of art that brings great personalities and issues vividly back to life. This is one of the greatest things art can do. By the end of Speak Of Me As I Am, you too will feel that Robeson and Solomon have got the whole wide world in their hands. Don’t miss this life affirming theatrical experience, which will be performed from time to time in 2009 as Solomon and Howard seek to bring Robeson’s thrilling story to a theatre near you.


For more info contact (310)398-7192 or Email: peggylee.kennedy@gmail.com.